Work Type:screening
Date of work:1989
Style Period:contemporary art
Technique:curating
Collection:Video Postive Archive 1989 - 2000
Description:
"Electric Eyes" was a touring package of recent British Video tapes distributed by the Film and Video Umbrella. Aiming to group together tapes following broadly similar themes or narrative and aesthetic approaches, the tapes map out the underlying trends and variety of practices in current British video art. The full package consists of four programmes: those selected for screening at the Video Positive '89 festival, were the two most sharply contrasting.


The "Electric Eyes" programmes will be screened together with two programmes of local work: 'Reflections From The 'Pool'. This programme is introduced by the essay by Jacqueline Morrissey that follows this listing.


Heads Full of Noise.
Younger video makers (post scratch) address, reflect, deconstruct (and reconstruct?) the babble of the media; bringing invention, subversion and an agitational aesthetic to fast-cutting technical prowess.


Electric Eyes Programme 1: Heads Full of Noise
Stakker: 'Eurotechno'
Sven Harding: 'Sentinel/The Needle'
Pictorial Heroes: 'Reflections on the Art of the State'
Nine Attrition Magnetic: 'Saboten Boi'
JohnGoff: 'Flight V
Michael Lunig: 'Jump Cut'
Reflections from the 'Pool Programme 1
WillCurwen: 'Freshfields'
Funky Killer Buddahs: 'Fleshtemple'
Red/Plastic University/Libido Rising'
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Source:"Video Positive 89", festival catalogue
Date of source:1989