In the five years since Film and Video Umbrella released the first of its regular Computer World programmes, computer animation has gone spectacularly 'overground' - boosted by the commercial and critical success of John Lasseter's Toy Story and by the continuing proliferation of digital effects and imagery within television, advertising and film.
This most-recent collection, Computer World 3, brings together some of the significant works produced internationally over the last two years, highlighting a diversity of styles and approaches (from abstract experimentation to accessible entertainment), as well as reflecting a new-found seriousness in matters of content that is encouraging in a medium that has too often been driven and distinguished by shows of technological novelty.
Programme 75 mins approx, includes:
LIMBES Beriou (France) 1995.
THE WRONG BROTHERS Stephen Weston (UK) 1995.
GRIDLOCK Martyn Pick/Richard Wright (UK) 1995.
SLEEPY GUY Raman Hui (USA) 1994
PERIOD Phillip Billion (France) 1995
PRISONER John Kay (UK) 1994
HELIOCENTRUM Richard Wright/Jason White (UK) 1994
CYBER Clea Waite (Germany) 1994
BIO ZOO Julien Dajez (France) 1995
FREE-QUENT Objects Kazuma Morino (Japan) 1994
THE WAY Tamas Waliczky (Germany) 1994
BUG Martyn Pick (UK) 1995
ADMIRAL FLIPSIDE Dominic Wright (UK) 1995
ETRES-EN-TR Anne-Sarah le Meur (France) 1994
TALL STORY George Snow (UK) 1996
THE END Chris Landreth (USA) 1995
[LESS]In the five years since Film and Video Umbrella released the first of its regular Computer World programmes, computer animation has gone spectacularly 'overground' - boosted by the commercial and critical success of John Lasseter's Toy Story and by the continuing proliferation of digital effects and imagery within television, advertising and film.
This most-recent collection, Computer World 3, brings together some of the significant works produced internationally over the last two years, highlighting a diversity of styles and approaches (from abstract experimentation to accessible entertainment), as well as reflecting a new-found seriousness in matters of content that is encouraging in a medium that has too often been driven and distinguished by shows of technological novelty.
Programme 75 mins approx, includes:
LIMBES Beriou (France) 1995.
THE WRONG BROTHERS Stephen Weston (UK) 1995.
GRIDLOCK Martyn Pick/Richard Wright (UK) 1995.
SLEEPY GUY Raman Hui (USA) 1994
PERIOD Phillip Billion (France) 1995
PRISONER John Kay (UK) 1994
HELIOCENTRUM Richard Wright/Jason White (UK) 1994
CYBER Clea Waite (Germany) 1994
BIO ZOO Julien Dajez (France) 1995
FREE-QUENT Objects Kazuma Morino (Japan) 1994
THE WAY Tamas Waliczky (Germany) 1994
BUG Martyn Pick (UK) 1995
ADMIRAL FLIPSIDE Dominic Wright (UK) 1995
ETRES-EN-TR Anne-Sarah le Meur (France) 1994
TALL STORY George Snow (UK) 1996
THE END Chris Landreth (USA) 1995