| Dates: | born 1-January-1957
| | Biography: | Stephen Littman was born in 1957.
He studied at Coventry Polytechnic and
the Royal College of Art. Stephen
Littman has been active in many aspects
of video
production and training, and video art
administration. He was a founder member
of London Video Arts, now LUX, and has
taught at many higher education
establishments.
Since 1986 he has been video
co-ordinator for the National Review of
Live Art, and has been involved
co-ordinating, with the Liverpool Video
Festival. From his company base 'Hands
On Productions' he also undertakes
corporate video work, work for
television and documentation of
dance and drama performances. His own
art work has been shown internationally,
including Paris, Warsaw, Toronto,
Copenhagen, Vienna and San Sebastian.
Video Tapes:
Mirror 1979, Please Turn Over Over
Over... To 1979, You Make Me Shout
1980, Crips 1980, The ColumeNo.l 1981,
Impact Theatre Co-operative — The
Venezuelan Sequence From Useful
Vices 1982, Still Life No.l (with Zoe
Redman) 1982, The Smoker Tapes —
She Talks Like That, I Don't Feel That
Quick, Viewing In My Room, Crying
1983, Mother Son 1983, I Really 1984,
The Long Search for the Necessary Tool
(with Jeremy Peyton Jones) 1984,
Surfing On Short Waves 1985, The
Winner 1986, In The Nameofthe Gun
1987.
Video Installations:
Sound an Rhythm 1980, The Line 1980,
The Wait 1980, Still Life No.l 1982,
Picture Memoires 1983, I Want 1983,
Mother Son 1983, Smiling 1984, Surfing
On Short Waves 1985, Overseen,
Overheard, Overlooked 1985, Hidden
Grin 1986, Smile 1987.
| | | Source: | "Video Positive 89", festival catalogue | | | Date of source: | 1989 |
|
| | Gender: | male | | Type: | person |
| |
